What is the difference between crop and full frame




















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P 5 pts. P 40 pts. This may sound confusing, but once you know the crop factor of a camera it is quite simple to calculate. Just remember that a full frame sensor produces images that match the lens focal length, crop sensors produce longer focal lengths and medium format sensors produce shorter focal lengths when all else is equal. Every camera manufacturer publishes the crop factors, so the information is readily available. In practice, this can help or hinder depending on your genre of photography.

Wildlife and sports shooters typically want more telephoto reach. Landscape shooters often want a very wide field of view, which a crop sensor is not well suited for. Smaller sensors produce wider depth of field compared to larger sensors like full frame or medium format. This means that if you desire a silky bokeh background, it will be easier to achieve with a larger sensor. Medium format cameras shine when it comes to narrow depth of field and are often the choice of top portrait and commercial photographers.

If you are a landscape photographer and want everything in focus, then it really makes no difference as you will likely be shooting at a smaller aperture anyway. There is no one-size-fits-all solution for this question.

Thanks to its larger size, a full frame camera usually produces sharper, clearer, and more detailed images in low light photography. Full frame cameras are more capable of capturing a shallower depth of field , which means more beautiful, creamy bokeh in the background shots for portraits.

Having crop factor with a crop sensor means a tighter field of view. If you shoot landscape photography where you want wide shots to capture the vast surroundings, a full frame camera is far more likely to get the job done.

But this can easily work against you as well. If you prefer to fill the lens with a tighter viewpoint, the crop factor might actually benefit you. Having a crop sensor increases the reach of your lens, a big bonus in wildlife or sports photography.

Full frame cameras are still the chosen option among professional photographers thanks to their ability to meet the high standards of resolution and detail, especially for producing print photography in larger sizes.

A full frame sensor adds bulk, so if portability is a priority, a camera with a crop sensor might be a more natural pick for you. Full frame cameras require a greater investment than crop sensor cameras. Crop sensor cameras and full frame cameras have their own unique interchangeable lens ranges but fortunately, full frame lenses can be used on crop sensor cameras though not vice versa.

To figure out what the real angle of view will be, just multiply the crop factor magnification amount by the focal length of the lens.

However, one advantage of going with a full-frame system is the sheer quantity and variety of lenses that you have available at your disposal. There is a growing selection of lenses for crop-sensor cameras, particularly in the micro-four-thirds ecosystem. But if you need access to the largest possible array of lenses than a full-frame camera might just be your best bet. I shoot with both crop-sensor and full-frame gear.

There is a reason why full-frame cameras and lenses are highly sought-after despite their larger size, heavier weight, and greater cost. Most glass made for full-frame systems costs more and weighs more because it is higher quality.

They also produce superior results compared to some of the cheaper lenses for smaller cameras. Note that I said most, not all. Certainly, there are many outstanding lenses for APS-C and micro-four-thirds cameras. For example, portrait photographers often prefer shallow depth of field. Shot with a mm lens on a full-frame camera. I shot the photo above at mm with my full-frame camera, but it would have been quite different if I shot it on my crop-sensor camera. A mm lens behaves like a mm lens when mounted on an APS-C camera.

That means I would have had to move much farther back to get this same composition and therefore would have significantly increased the depth of field. The background would not have been as blurry, and the pillar behind the boy would have been more in focus as well. After I took that picture I put the same 85mm lens on my full-frame D and while standing in the same spot, took the following image:. It looks like I zoomed out, but in fact, I was using the exact same lens but on a full-frame camera.

To get a picture like the one I shot initially, I had to move forward which then changed the background elements and also gave me a shallower depth of field with a background that was more out of focus.



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